“But perhaps bravery meant entering into a storm you already knew would destroy you.”
Y’all know I can’t resist historical pieces – throw in some fantasy and I’m 100% in. Fawkes by Nadine Brandes was creative, engaging and kudos to trying something not often seen with historical events in novels. Geared towards the YA audience, I still enjoyed the characters, the pacing and how she would work in the fantasy elements.
It also made me want to do a deep dive research into King James and the entire Guy Fawkes history. That’s one of my favorite things about reading historically based stories – it opens up a piece of history I might not have thought about before.
“It is those who dream of the impossible who end up defying the very word.”
If you enjoy history or fantasy (or both, like me!), then be sure to check out Brandes’ latest release. Also, that cover? LOVE IT!
Is there a historical event you’d like to see retold?
(Thank you to Thomas Nelson for a copy of the book. All views expressed are my own.)
ABOUT THE BOOK: Thomas Fawkes is turning to stone, and the only cure to the Stone Plague is to join his father’s plot to assassinate the king of England.
Silent wars leave the most carnage. The wars that are never declared but are carried out in dark alleys with masks and hidden knives. Wars where color power alters the natural rhythm of 17th-century London. And when the king calls for peace, no one listens until he finally calls for death.
But what if death finds him first?
Keepers think the Igniters caused the plague. Igniters think the Keepers did it. But all Thomas knows is that the Stone Plague infecting his eye is spreading. And if he doesn’t do something soon, he’ll be a lifeless statue. So when his Keeper father, Guy Fawkes, invites him to join the Gunpowder Plot—claiming it will put an end to the plague—Thomas is in.
The plan: use 36 barrels of gunpowder to blow up the Igniter King.
The problem: Doing so will destroy the family of the girl Thomas loves. But backing out of the plot will send his father and the other plotters to the gallows. To save one, Thomas will lose the other.
No matter Thomas’s choice, one thing is clear: once the decision is made and the color masks have been put on, there’s no turning back.